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Archive for the ‘Artists’ Books’ Category

Today I am highlighting some of our newest artists’ book additions to our collection.

Earth Clock by Ginger R. Burrell

First up, we have two new acquisitions from book artist Ginger R. Burrell.

Earth Clock by Ginger R. Burrell in handmade box

Earth Clock by Ginger R. Burrell

Earth Clock, Burrell’s limited edition 2017 creation, is an investigation into the history of climate change.  “Earth Clock is meant as both an educational tool and a call to action. To create both a sense of urgency and the beginning of understanding. To present both facts and a sense of the long history of our avoidance and denial.” (Lux Mentis Booksellers catalog)

Nineteen magnetized flaps corresponding to years from 1800 to 2015 lift to display facts about national and international events relating to climate and the environment, such as the first Earth Day in 1970 and the creation of the US National Oceanic and Atmospheric Administration, or 1995 when the Antarctic ice shelves begin to break apart.

Earth Clock by Ginger R. Burrell display

Earth Clock by Ginger R. Burrell

Earth Clock by Ginger R. Burrell display

Earth Clock by Ginger R. Burrell

 

 

 

 

 

 

 

“Earth Clock features custom electronics designed to create a visceral response and to compel the viewer to act. LEDs animate based on what happened each year in Climate Change history. The number display registers the amount of carbon dioxide in the atmosphere in a given year.” (Lux Mentis Booksellers catalog)


Giftschrank by Ginger R. Burrell

Giftschrank by Ginger R. Burrell

Giftschrank by Ginger R. Burrell

Also from Ginger Burrell, Giftschrank is another 2017 piece created in a limited edition of 12, housed in an original wooden box and bound in a molded cover of razor blades suspended in thick enamel.

Giftschrank by Ginger R. Burrell box

Giftschrank by Ginger R. Burrell

The title page defines Giftschrank:

Giftschrank by Ginger R. Burrell

Giftschrank by Ginger R. Burrell

 

GIFTSCHRANK

noun

Gift (Poison) + Shrank (Cabinet)

  1. Spaces reserved for undesirable, uncomfortable or forbidden objects, ideas or subjects.
  2. Something society avoids at all costs.

 

 

 

 

The colophon cites the inspiration for this work as the podcast 99% Invisible, episode 203 ”The Giftschrank”.


The/rapist by Maureen Cummins

The prospectus for artist Maureen Cummins’s new 2017 work The/rapist describes the historic and political inspiration for this work:

The/rapist by Maureen Cummins in box

The/rapist by Maureen Cummins

“The/rapist is an investigation into the gendered history of psychosurgery, as illustrated by the career of Doctor Walter Freeman (1895-1972). A Professor of Neurology with no formal training in either surgery or psychology, Freeman popularized the pre-frontal lobotomy, an operation in which nerve connections to and from the frontal lobes—the seat of human emotion, creativity, willpower, and imagination—are severed.”

The/rapist by Maureen Cummins

The/rapist by Maureen Cummins

“It is a history that raises numerous and disturbing questions about patients’ rights, the abuse of institutional power, and the disproportionate targeting of women.”

The physical object of this work reflects the inspiration:

The/rapist by Maureen Cummins

The/rapist by Maureen Cummins

“Constructed entirely out of aluminum, The/rapist is inspired by the cold, hard surfaces of medical clipboards and equipment, as well as by Freeman’s actual tools, viewed by the artist in the Freeman/Watts collection at GWU, where she conducted her initial research. Pages of the book are laser-cut, burnished on one side, printed with multiple layers of text and imagery, “dimpled” to prevent scratching and wear, then mounted within rings to a sturdy baseboard. The text is printed in Frutiger, a classic mid-century sans-serif typeface. Images reproduced in the book are 19th century engravings, handwritten notes and text, as well as graphs and headshots from Freeman’s 1950 textbook Psychosurgery: In the Treatment of Mental Disorders and Intractable Pain. The book is housed in a burnished aluminum box with a screwed-down aluminum title plate.” (Aside of Books, retrieved 12/8/17)


The Book of Penumbra by Gabrielle Cooksey

We have also acquired a 2016 work by book artist Gabrielle Cooksey: The Book of Penumbra: Deadly Myths Retold – A book of small stories of death gods from around the world.  This piece is hand bound in an accordion case binding and a hinged painted black box with gold foil tooling.

The Book of Penumbra by Gabrielle Cooksey

The Book of Penumbra by Gabrielle Cooksey

Cooksey describes this work: “Death has always fascinated me because it happens to all of us yet no one talks about it. I wanted to see what other cultures personified death as through myths and legends. The gods in this book are very hushed and for some, even if you speak the name, you’ll be cursed. I wanted this book to be shadows, to be played in the light. I chose a delicate paper so one could see through to the page behind it. The text is in all sorts of shapes because I wanted each story to represent the god being told about. For instance, Sedna is in the shape of drowning, Anubis is his eye, Mac is a pit with someone at the bottom. The borders are all plants, roots, and things found on the earth. Some represent death like the poppy, and the yew tree.” (Author’s website, retrieved 12/8/17)

The Book of Penumbra by Gabrielle Cooksey

The Book of Penumbra by Gabrielle Cooksey

“I design books in a peculiar and unexpected way that makes it enticing to hold/open. I think of my books as art that you can use.” –Gabrielle Cooksey (Author’s website, retrieved 12/8/17)
Thanks to Rebecca, our cataloging librarian, these books have all been cataloged and are available to researchers in our Reading Room.

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Back in October, Peter wrote about our Harbor Press ephemera collection.  Today, I’m spotlighting another collection of fine books, these designed by master printer Ronald Gordon, Amherst class of 1965.

While a student at Amherst College, Ronald Gordon studied the craft of printing and bookmaking with artist and print-maker Leonard Baskin and printer Harold McGrath.  Gordon interned at Baskin’s Gehenna Press in Northampton, Mass and as part of his senior honors thesis, Gordon designed and printed Jubilate Agno: Part One under The Apiary Press, Smith College’s student publication imprint.

(more…)

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Just yesterday in the Archives Reading Room a student was looking over an artist book from our collection that caught my eye.  It is accurate to say that any book that comes in its very own egg casing typically does catch my eye.

IMG_1733The book is Evolve/Unroll by book artist Sara Press, published in 2012 by her imprint Deeply Game Publications. (more…)

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Here in the Reading Room of the Special Collections, we have on semi-permanent exhibit a 3 piece unique art collection comprised of a newspaper publication, a lead-encased book of posters, and a one-of-a-kind art installation.  The installation consists of 432 color slides permanently mounted in a sizable light box.  The slides show the creation and in situ installations of street art posters from Bullet Space’s “Your House is Mine” project. The light box itself is constructed from a frame originally used for the silkscreen printing of the posters.

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Milliken, Don  OR #44

Milliken, Don
OR #44

Correspondence is, at its best, an intimate gesture.

It is a pure idea
often direct and unrefined
It may also become
political,
psychological,
religious,
outrageous,
sentimental,
humorous,
horrific,
enlightening,
or indulgent

(Excerpt from an unpublished statement, 1984.  From Commentaries on the New Media Arts by Robert C. Morgan)

Open a box in the Don Milliken Collection of Correspondence Art and Related Materials and you will find zines, and postcards, and artists’ books, and newspapers, and stamp collections, and packets of stickers, photographs, letters, collages, and envelopes of all shapes from people all over the world.  This is one of the great things about correspondence art: the sheer variety of materials and themes that compile this worldwide art movement, emphasizing the inclusive participation of artists and amateurs in a variety of media through the use of the postal system.

The Northampton Herald 1982

The Northampton Herald
1982

Correspondence art, also called mail art or postal art, began in the 1960s.  While difficult to trace the origins of this movement, most sources agree that correspondence art began as a reaction to the commodification and commercialization of art.  In the competitive world of exclusive art museums and juried exhibitions, artists and amateurs sought to re-emphasize the joy of creating and experiencing art, and to create new paradigms for the art world focused on sharing and exchange.

(more…)

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When I first saw the latest addition to our artists’ book collection, I thought “Now I’ve seen everything!”

A completely blank book?

A completely blank book?

All the pages are blank! As we have seen before on this blog, artists’ books come in all shapes and sizes. We even hold a copy of the world’s largest magazine issue. So anything is possible.

But then I saw the small accessory that accompanies the book – an ultraviolet flashlight!

The plot thickens...

The plot thickens…

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In the fall of 2011 we mounted an exhibition of Native American materials housed in the Archives & Special Collections to coincide with an extended visit from Fred Hoxie, a specialist in Native American history. Professor Hoxie graduated from Amherst College in 1969 and returned to campus as the 2011 Frost Fellow, sponsored by the Friends of Amherst College Library. While Native American history and culture is not one of our greatest strengths, the collection does contain a few gems.

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